Candyman (1992)

Candyman (1992)

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Candyman is a perfect example on how to adapt something that is pretty much unfilmable, in this case the short story "The Forbidden" by Clive Barker, and make it into something different but acceptable on its own terms.

Helen Lyle, grad student is preparing a thesis on Urban Legends. Her reserch takes her to the worst place in America, Cabrini Green, where she hears varying stories of a killer known as The Candyman.

Of course there is a way given to bring the Candyman back, and that is to say his name five times while standing in front of a mirror. Helen, not really believing in the existence of The Candyman, does this jokingly, but Whoops! You're in a slasher film, and guess what? The Candyman (slowly) returns. This little plot point wasn't in the story, but in films such as this there has to be a trigger. Originally The Candyman was summoned solely by Helen's disbelief.

Candyman is a bit peeved at Helens lack of belief in him and sets out to prove he is real through a series of murders all pinned upon Helen.

So we have a victim who everyone thinks is a murderess. A killer who is a legend and a climax involving a large bonfire.

Im trying not to give the ending away.

Candyman is a step above a lot of slasher films, in that it deals with the power of myth and legend and ultimately can be seen as a testement to the power of faith. (I wonder if the guys over at Hollywood Jesus have reviewed Candyman?) (It appears not)

Three and a half Darios for the film and a bonus half Dario because it was written by Clive Barker